A Mime artist is someone who uses mime as a theatrical medium or as a performance art. In earlier times, in English, such a performer was referred to as a mummer.
Mimes in Ancient Greece and Rome
Mime supposedly began in the Theater of Dionysus in Athens, perhaps as far back as the third century B.C.E. These mimes were not entirely silent, as we think of mimes today, but the spoken element was minimized. There was usually a chorus, typical of Greek theatre of the time. Themes for Greek mimes, which were often tragedies that had a moral lesson. Stories frequently included fighting, adultery, and various vices. Early mime artists in Greece were called phylakes and included women as well as men. Well-known authors of mimes include Decimus Laberius, Epicharmus, Sophron, Publilius Syrus and Herodas. [1].
By the time of the fall of Rome, mimes were performing at banquets and courts all over Europe. Roman mime artists were called mimus or saltator, but the word "mime" by then was often used as a catch-all term for any sort of short dramatic or comedic acted entertainment, sometimes expanding to include sword swallowers and jugglers. Roman mime was called fibula riciniata and was a mix of farce sketch, dancing, singing and acrobatics. Stock characters evolved (stupid husband, greedy pig, foolish old man, devious woman, etc). This sort of mime - a non-silent, satirical, often political farce - is still used by artists like the Tony award winning San Francisco Mime Troupe. British style pantomime is a clear descendent of this sort of mime.
Like actors and actresses of today, a mime's fame could bring them the attention of the rich and powerful. The Emperor Justinian married Theodora, a former mimus (mima?).
Various forms of dumb show evolved from these classical roots, most notably the Commedia dell'arte in Italy.
Modern Mime
Today, in the theatrical world, there are two types of mimes. The first one has grown from studies of people like Etienne Decroux, often called the "father of modern mime" [fact], or Jacques Lecoq. Their aim is not to replace words with gesture, but to express with the body something complementary, something the text does not express. "Making the invisible visible" using the body to express thoughts, emotions, metaphores, using the full range of movement allowed by the human body and not just an exaggerated version of everyday gesture. Decroux called this art form "corporeal mime".
The other branch of mime is in which the performer usually performs using spatial and corporeal movement, full-body physical expressions, body language and gesture, often with little or no theatrical props. This is often called pantomime. Mime routines frequently involve pretending to touch something but not actually doing so, or pretending to interact with imaginary objects. It is often, but not always, done in white face and the movements and expressions are heightened for greater effect. In this sense, pantomime can be seen as a specialization within mime.
Classic or well-known pantomime moves include:
- Glass walls: the mime opens their hand and pretends to touch (with their open palm) a flat wall in front of them. This motion includes a sudden stop at the end so as to indicate exactly where the wall is, much as people do when they actually slap a wall.
- Rope: The mime grabs an invisible rope and pretends to pull the rope, sometimes with difficulty, indicating the rope is attached to something big or heavy.
- Leaning wall: The mime positions their body to make it appear as if they are leaning against a wall, even though they are not.
- Trapped in a box: The mime pretends to be in an invisible box that they cannot get out of.
Pantomime is common as a street performance medium. Amateur mime artists often use a very limited number of routines from the repertoire of mime artist Marcel Marceau such as 'walking against the wind', 'peeling a banana', and especially 'pretending to be in an invisible box' often missing that Marceau always uses these routines to tell a story or sketch a theme or character, or that Marceau's work benefits from a technique learnt from Decroux. This lack of creativity amongst Marceau's imitators has created a negative stereotype of mimes.
A myth holds that clowns have a deep dislike of mimes and vice versa, however, most clowning schools incorporate mime into the cirriculum.
Movement theatre is a related branch of theatre which merges elements of mime with that of modern dance.
Mime in popular culture
- In the popular imagination, mimes are thought of as having a uniform costume that includes black and white horizontal striped clothes, a vest, a formal black top hat or beret, formal white gloves (to highlight the motions of the hands), and white face paint (similar to that used by a clown), with some accents in black. However, mimes , like other theater artists use a diversity of costuming ideas. This uniform has become so iconic that many experienced artists explicitely reject it.
- Some of the moves in breakdancing, such as the moonwalk, have been borrowed from mime.
- While it is often thought that playing the party game of charades amounts to mime, charades is a geussing game, while mime artists seek a certain theatrical clarity.
- In the 1989Batman (film)The Joker's cronies in one scene are dressed in stereotypical mime costume. They are seen engaged in a simplistic pantomime of mechanical men.
- In 2003 Canadian comedy group Very Tasteful created the film Pantomimus, which aired nationally on CBC television.
- Bobcat Goldthwaite's movie Shakes The Clown dealt with the alleged rivalry/hostility between mimes and clowns
- Michael Jackson was good friends with well-known mime artist Marcel Marceau and used pantomime regularly in his concert performances; in 1995, Jackson and Marceau jointly choreographed a concert for HBO, but the project never got past the rehearsal stage.
- Motion pictures such as Who Framed Roger Rabbit, in which live actors interact with animated cartoons, require the actors to practice mime skills in order to convincingly push or pull an imaginary object or character that will be added to the film later.
- On the Buffy the Vampire Slayer episode "Hush", the Gentlemen were all played by mime artists.
- In a 1976 episode of The Goodies (TV series) entitled "Daylight Robbery of fhe Orient Express", the trio use whiteface and perform mime routines in the French 'Le Boring' contest.
- In his television series, disc jockey and comedian Kenny Everett often dressed as a whitefaced mime similar to Marceau's Bip The Clown, and performed routines based on Marceau's work.
- In Terry Pratchett's Discworld series, mime artists are banned in the city of Ankh-Morpork. Any found operating are hung upside down in a scorpion pit along with a sign saying "Learn the Words".
- Mr Mime
Well known mime artists/movement theatre artists
Samuel Avital • Jorn 'Le Bagette' Barger • Jean-Louis Barrault • Kate Bush • Berger and Diskin "The Chameleons" • Tony Ceravolo • Charles Chaplin • Jean-Gaspard Debureau • Etienne Decroux • Ladislav Fialka • Dario Fo • Kenneth Fox • Gregg Goldston • Andrew Mark Herbert of Hat Trick origin • Claude Kipnis • Newoka LaShelle • Jacques Lecoq • Jean Michel Jarre • Marcel Marceau • Kari Margolis/Tony Brown • Carlos Martínez • Harpo Marx • Samy Molcho • Tony Montanaro • Mummenschanz • Stefan Niedzialkowski • Oleg Popow • Mikael Rudolph • Pan Tau • Shields And Yarnell • Michael Lee • Daniel Stein • Jeffrey Straw • Henryk Tomaszewski (mime)
Trivia
- David Bowie was a mime before he became a singer.
- Mimes have long been the sworn enemies of so-called "Blackface Minstrels" and there is still much rivalry between them when it comes to impromtu street performances - see street theatre for more info.
See also
External links
Information
Mime artist/mime company home pages